License price from court case: /news/view/115579-Court-Documents-Reveal-Anime-Licensing-CostsĮ-mail: Twitter: Instagram: This week, Rom-com expert, Marc joins Nuny in asking questions and listening to Juan talk about Ghost in the Shell: SAC_2045. How anime licensing works(Justin Sevakis): What Funimation's acquisition of Crunchyroll means for the anime industry in general.Ĭrunchyroll 2007 wayback machine archive:Ģ008 4 million dollar investment: $4m-ventureįunimation and Bandai's response to investment: $4m-funding In the case of Bennet and Cameron, this will be a reunion for the both of them, as they previously appeared opposite each other as enemies on S.H.I.E.L.D., which ended last year.Excuse the Audio! This week we have Nuny and Juan Joined by Marc, to talk about the 1985 Film: Angel's Egg!Į-mail: Twitter: Instagram: In this episode, we basically talk business. Perrault is known for her work in the music industry, not so much acting (her starring role in the Broadway show Jagged Little Pil l is considered her springboard), so this will definitely be a big test of her talents.

The show is wading into uncharted waters, so the three stars might have a bit more wiggle room than say, the 2016 cartoon reboot to explore their own unique angles, characters, plotlines and whatever chemistry they will share on screen. Going off sheer physical appearance, all three actors look to be solid choices in terms of what the Powerpuffs might look like all grown up.

So as it turns out, The Powerpuff Girls has a lot in common with shows like Spongebob Squarepants, Ed Edd n Eddy and Avatar the Last Airbender (not to mention Beavis and Butt-Head, a fellow Spike and Mike alumni), all major tentpoles of TV animation that originated from extremely humble beginnings, be it a student short film or just a silly doodle.Ĭhloe Bennet ( Agents of S.H.I.E.L.D.), Dove Cameron (the Descendants movies), and Yana Perrault (in her television debut) are cast as the protectors of Townsville in the show, with Bennet as Blossom, Cameron as Bubbles and Perrault as Buttercup.

Obviously, McCracken was making content that he personally enjoyed from the start, injecting what he would personally want to see in a kids' cartoon such as.you ic book homages and rampant violence. The only caveat, of course, was that the name and any mention of the word ass had to be removed for increased chance of marketability. Keep in mind, this was about a decade before Jackass and two before the Kick-Ass movies. The short was shown during late '80s/early '90s touring staple Spike and Mike's Sick and Twisted Festival of Animation, and in 1992 Cartoon Network took notice of McCracken's work, giving it a slot on What a Cartoon! and then offering him a series.

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